NIA CASON
FILMOGRAPHY
“[Nia’s] lockdown video diaries have proved quite unlike anything else submitted, mixing high-concept ideas with lo-fi charm in a continuing series of ridiculousness and resilience.”
-The British Film Institute
2022
SPACE JUNK, in post production; writer, creator, director, producer.
2020
SMARTIES MAGIC PIANO, May 2020, 6:31, fiction; writer, director, post-production
PARIS LOCKDOWN VLOG (36 Episodes), March-April, 2020; creator, actor, post-prod; My fictional character-based daily video blog during 2020’s lockdown was chosen by the British Film Institute to be preserved in their time capsule, see here.
APOCALYPSE DATING, April 2020, 3:09, fiction; writer, director, post-production
2019
CRANIUM VS SKULL: EPISODE 8, computer science 2019, 20:10, documentary; writer, director, post-production
CRANIUM VS SKULL: EPISODE 7, ecology and forests 2019, 18:53, documentary; writer, director, post-production
CRANIUM VS SKULL: EPISODE 6, the carbon cycle, 2019, 20:14, documentary; writer, director, post-production
CRANIUM VS SKULL: EPISODE 5: smell, 2019, 18:31, documentary; writer, director, post-production
CRANIUM VS SKULL: EPISODE 4: breast cancer care, 2019, 18:31, documentary; writer, director, post-production
CRANIUM VS SKULL: EPISODE 3: theoretical physics, 2019, 18:31, documentary; writer, director, post-production
CRANIUM VS SKULL: EPISODE 2: hunger, 2019, 17:36, documentary; writer, director, post-production
CRANIUM VS SKULL: EPISODE 1: prenatal care, 2019, 18:31, documentary; writer, director, post-production
SOME OTHER PARIS:
2018
BUTTERFLIES; Script doctor and rewrite in collaboration with Umut Gunduz: some of the original footage from 2017 sizzle
SPUGNUCKET [MILLENIAL MELANCHOLY AND POLAR BEARS], 2018, 6:53, fiction; writer, director, post-production
BOGEY IN JAPAN: EPISODE 6, 2018, 5:22, fiction; writer, director, post-production; with Nino Furuhata and Rebecca Smith
BOGEY IN JAPAN: EPISODE 5, 2018, 3:27, fiction; writer, director, post-production
BOGEY IN JAPAN: EPISODE 4, 2018, 3:42, fiction; writer, director, post-production
BOGEY IN JAPAN: EPISODE 3, 2018, 4:30, fiction; writer, director, post-production
BOGEY IN JAPAN: EPISODE 2, 2018, 3:34, fiction; writer, director, post-production
BOGEY IN JAPAN: EPISODE 1, 2018, 4:56, fiction; writer, director, post-production
2017
TREADING THE BOARDS WITH BOGEY, 2017, 5:30, fiction; writer, director, post-production
FEET OF LARA, 2018, 0:36, fiction; writer, director, post-production
WORLD NEWS: VILLENNES SUR SEINE, 2017, 2:22, fiction; writer, director, post-production
ALBERTO & CHRIS IN ARLES, 2017, 4:47, documentary; director, post-production
CLEVER GIRL, 2017, 6:11, fiction; writer, director, post-production
BOGEY HAD A BAD DAY, 2017, 2:57, fiction; writer, director, post-production
THE MOTH ROOM, 2017, 0:56, fiction; writer, actor, director, post-production
2016 and prior
SARDINE SANDWICHES MANIFESTATION, 2016, 2:11, fiction; writer, director, post-production
RADIO TALKY TALK: BOGEY AND THE CURSE, 2016, 8:24, fiction; writer, director, post-production
LIPSTICK COMMERICAL, 2016, 0:25, fiction; writer, director, post-production
HYPNOSIS FOR MONEY STRESS WITH AMY IRVING, 2016, 13:55, fiction; writer, director, post-production
ORIGAMI, 2016, 8:17, fiction; writer, director, post-production
HOW I GAVE UP LIVER, 2016, 6:54, fiction; writer, director, post-production
DINNER IN ALESIA, 2016, 13:58, documentary; director, post-production
LOSING, 2016, 3:09, fiction; writer, director, post-production
CORPO FAMILIARE di Gabriele Di Munzio, 2014, 30’, fiction; actor and musician
Stageplays
KING OF CAKES, 2014; 25’; writer and director
EUROVISION: THE QUEST FOR PEACE, 2015, 30’; writer
THE LYDIA FOUNDATION, 45’; 2016, writer